Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Trawling the seventeenth century for potential realizations of resplendent musico-liturgical events, it was only a matter of time before Paul...
Reviewed by Jonathan Freeman-Attwood in issue: 13/1998
“The Young Michelangeli; the beginning of a legend” is an enticing heading and, not surprisingly, these performances are of absorbing...
Reviewed by Bryce Morrison in issue: 2/1997
The groundless allegation – exacerbated by Peter Shaffer’s Amadeus – that Salieri murdered Mozart may have harmed his reputation but...
Reviewed in issue 6/1996
This is an appealing recording you will want to return to again and again. Over the years they have been...
Reviewed in issue 6/1999
It seems only a short while since I reviewed another recording of Paderewski Piano Concerto and Polish Fantasy, sufficiently endearing...
Reviewed by Bryce Morrison in issue: 4/2000
Alexandre Tansman is hard to categorise. Born in Poland in 1897, he moved to France after the First World War...
Reviewed by Arnold Whittall in issue: 6/2006
Recorder virtuoso David Munrow, the trailblazer and pace-setter for original instruments in the LP era, looks astonishingly young in photographs...
Reviewed by Ivan March in issue: 13/2005
This is a classic example of those performances—live or recorded—which are the most difficult of all to review: those musically...
Reviewed by hfinch in issue: 3/1995
These performances of the Concertino and Capriccio originally formed part of the two-record set from which the solo piano pieces...
Reviewed by John Warrack in issue: 3/1992
What is described as Volume 4 of Bridge’s exploration of the music of Elliott Carter (following on from discs of...
Reviewed in issue 4/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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