Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The dithering and debating which normally accompany record-buying can be happily dispensed with here. The opera is a masterpiece, the...
Reviewed in issue 9/1983
Villa-Lobos's widow, the late Mindinha, told me that her husband never wrote for an instrument without his hands-on experimentation with...
Reviewed by John Duarte in issue: 4/1990
It is inevitable that the Handel anniversary will produce new Messiah recordings. Stephen Cleobury and the Choir of King’s College...
Reviewed by David Vickers in issue: 9/2009
Those who heard Leslie Howard's delightful performances of some of these pieces at Wigmore Hall in London last June will...
Reviewed in issue 10/1984
In his commendably straightforward notes, George Benjamin points out that what is most clearly ''sudden'' in this composition is the...
Reviewed by Arnold Whittall in issue: 11/1994
The disc starts with the Daphnis Suite, and a cleanly articulated, closely balanced and clearly positioned texture for the opening...
Reviewed by John Steane in issue: 12/1992
Mozart heard clarinets at the Elector Carl Theodor's Mannheim, and longed for them to include in his own symphonies in...
Reviewed by John Warrack in issue: 11/1993
This must be one of the most important historical documents ever to appear from previously unavailable archives. Much as we...
Reviewed in issue 9/2001
Let me say straight away that this performance of Grieg's Piano Concerto is for many people, including myself, the outstanding...
Reviewed by Christopher Headington in issue: 8/1993
The story that Mozart’s unfinished Requiem was completed after his death by his pupil Franz Xaver Süssmayr (1766-1803) must be...
Reviewed by David Vickers in issue: 9/2005
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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