Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mark Abel continues to demonstrate his versatility in the works on the newest Delos release of his music, ‘Spectrum’, a...
Reviewed by Donald Rosenberg in issue: 12/2022
Premiered at the suburban Theater auf der Wieden in 1789, Paul Wranitzky’s Oberon fuelled the Viennese appetite for ‘magic operas’...
Reviewed by Richard Wigmore in issue: 12/2022
This solo debut doesn’t so much throw down the gauntlet as hurl it into the listener’s face. Without so much...
Reviewed by Alexandra Coghlan in issue: 12/2022
‘World Premiere on Video’, proclaims the cover, which is I suppose strictly true, but one shouldn’t get too excited. What...
Reviewed by Hugo Shirley in issue: 12/2022
Fausto Romitelli died of cancer at the young age of 41 after inventing a brilliantly distinctive post-spectralist style. Romitelli’s music...
Reviewed by Liam Cagney in issue: 12/2022
Inviting and informative notes by Benoît Dratwicki and Sylvie Bouissou set a lovely scene: it’s 1745, and King Louis XV...
Reviewed by Mark Seow in issue: 12/2022
If there’s nothing really wrong with this Orfeo, directed by Pauline Bayle and conducted by Jordi Savall at Paris’s Opéra-Comique...
Reviewed by Alexandra Coghlan in issue: 12/2022
Like Rameau, Leclair had a well-established reputation in other spheres before he ventured into opera. Known as ‘the French Corelli’,...
Reviewed by Richard Lawrence in issue: 12/2022
There’s an unexpected opening to this Giulio Cesare, recorded in 2021 at the Theater an der Wien: a brief recitative...
Reviewed by Lindsay Kemp in issue: 12/2022
Record collectors have never entirely forgotten Leo Blech (1871-1958), the Aachen-born, Berlin-based conductor of a generation whose careers were derailed...
Reviewed by David Gutman in issue: 12/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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