Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There is absolutely no justification for this recording except for the fact that it works so well. That is to...
Reviewed by Ivan Moody in issue: 12/2022
Little survives of the work of Mogens Pedersøn, one of the most prominent Danish musicians of the early Baroque period;...
Reviewed by Fabrice Fitch in issue: 12/2022
To deal first with the purely instrumental works on this collection, both Fratres and Spiegel im Spiegel are given superbly...
Reviewed by Ivan Moody in issue: 12/2022
Confession time: I admit to having not previously heard a note of this Polish composer before, despite the fact that...
Reviewed by Malcolm Riley in issue: 12/2022
Anna Isabella Leonarda (1620-1704) entered an Ursuline convent in the Piedmontese city of Novara at the age of 16 and...
Reviewed by David Vickers in issue: 12/2022
‘The generality of the world have ears and hear not’, wrote Handel’s friend Mary Delany of the failure of Theodora...
Reviewed by Richard Wigmore in issue: 12/2022
The Nine German Arias occupy a special niche in Handel’s wide and wondrous output. With texts by Barthold Heinrich Brockes...
Reviewed by Lindsay Kemp in issue: 12/2022
It is a deep pleasure to hear this ensemble flourish. Since winning the 2019 Gramophone Early Music Award it has...
Reviewed by Edward Breen in issue: 12/2022
Brahms’s hearty Liebeslieder Waltzes offer two distinct experiences: soloists relaxing with charming, intelligent music without great technical demands, and choruses...
Reviewed by David Patrick Stearns in issue: 12/2022
Has anyone else directed Mahler’s Fourth Symphony while singing the finale from the podium? Surely not … but the present...
Reviewed by David Gutman in issue: 12/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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