Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mozart wrote counterpoint throughout his career, from dutiful fugues while learning his craft to worthy stile antico polyphony in his...
Reviewed by David Threasher in issue: 12/2022
Chandos’s ‘Music in Exile’ series featuring the Toronto-based ARC Ensemble continues with this overview of Alberto Hemsi (1898-1975). Of Sephardic...
Reviewed by Richard Whitehouse in issue: 12/2022
It’d be a grey day indeed that couldn’t be brightened by Dvořák’s chamber music, and I don’t think it was...
Reviewed by Richard Bratby in issue: 12/2022
Although they might have gone under the radar in the UK, Ensemble Allegria have established a status way beyond their...
Reviewed by Richard Whitehouse in issue: 12/2022
I’m not sure whether it’s significant that all three works are in A major/minor, but this concert from last Easter’s...
Reviewed by David Threasher in issue: 12/2022
I was bowled over by Kavakos, Ma and Ax’s recent recording of Beethoven’s Fifth Symphony as arranged by Colin Matthews...
Reviewed by Andrew Farach-Colton in issue: 12/2022
Why Bach? This is what young Canadian flautist Aysha Wills asked herself when deciding what to play for this, her...
Reviewed by Charlotte Gardner in issue: 12/2022
The last piece by John Luther Adams that came my way for review was his fourth string quartet, Everything That...
Reviewed by Guy Rickards in issue: 12/2022
Booklet notes that begin ‘According to Wikipedia’, in my book, are not a great first sign. Neither is an album...
Reviewed by Mark Seow in issue: 12/2022
This intriguing album is a showcase for what Brazilian composers during the course of the 19th century could achieve after...
Reviewed by Ivan Moody in issue: 12/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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