Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Charlie Parker’s Ornithology on the treble recorder? Surely not. But yes, this is exactly how Dutch recorder supremo Lucie Horsch...
Reviewed by Charlotte Gardner in issue: 12/2022
I thought this would be a nil nisi bonum appreciation of a sorely missed artist who commanded wide respect among...
Reviewed by David Fanning in issue: 12/2022
Few nations venerate cinema like the French. Think of François Truffaut’s admiration of the films of Hitchcock or his love...
Reviewed by Adrian Edwards in issue: 12/2022
Few composers’ lives were more affected by the geopolitics of the 20th century than that of Isang Yun. Born in...
Reviewed by Christian Hoskins in issue: 12/2022
The English Symphony Orchestra and Kenneth Woods’s ‘21st Century Symphony Project’ goes from strength to strength: Philip Sawyers’s Third (10/17;...
Reviewed by Guy Rickards in issue: 12/2022
We’ve reached the penultimate volume in Martyn Brabbins’s stimulating RVW symphony cycle for Hyperion. Proceedings are launched with a scrupulously...
Reviewed by Andrew Achenbach in issue: 12/2022
Noseda’s account of Tchaikovsky’s Fifth doesn’t put a foot wrong but leaves one wanting so much more. I could leave...
Reviewed by Edward Seckerson in issue: 12/2022
Following the impressive earlier releases of the First and Second Symphonies (3/19, 4/20), Santtu-Matias Rouvali’s Sibelius cycle continues with notable...
Reviewed by Christian Hoskins in issue: 12/2022
Not even Breaking Bad-style blue meth – so I would imagine – can rival Scriabin’s mind-altering explorations of the celestial...
Reviewed by Michelle Assay in issue: 12/2022
A piece of music (or indeed any work of art) exists on two temporal planes: as an artefact of its...
Reviewed by David Threasher in issue: 12/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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