Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If I could take only a few forms of music to a desert island, the psalms sung to Anglican Chant...
Reviewed by Andrew Mellor in issue: 11/2022
La Serenissma’s latest delve into the Vivaldi archives has thrown up a programme full of unfamiliar textures, all helping to...
Reviewed by Alexandra Coghlan in issue: 11/2022
Although Philippe van Steelant (1611-70) isn’t a household name, his pedigree is hardly insignificant: a scion of a family of...
Reviewed by Fabrice Fitch in issue: 11/2022
This is not the first recording of Silvestrov’s Requiem, written in memory of his wife, Larissa Bondenko – it has...
Reviewed by Ivan Moody in issue: 11/2022
Rest assured that Ian Bostridge is not nearly as wizened, and the late Lars Vogt wasn’t nearly so eagle-eyed, as...
Reviewed by David Patrick Stearns in issue: 11/2022
Monteverdi’s monumental last anthology Selva morale e spirituale (Venice, 1641) contains nearly 40 different sacred and spiritual pieces. Most were...
Reviewed by David Vickers in issue: 11/2022
Hildegard of Bingen is now by a massive margin the most often-recorded composer from the years before Byrd and Monteverdi...
Reviewed by David Fallows in issue: 11/2022
His opera Hypermnestre may be pronounced ‘the best of the Regency period’ by Grove and others, and the composer himself...
Reviewed by Alexandra Coghlan in issue: 11/2022
Mixed blessings from this latest attempt to represent Berlioz’s ‘Great Mass’ effectively on disc. Pappano – who brought ‘his’ choir...
Reviewed by Mike Ashman in issue: 11/2022
This is one of those albums that should catch you in the right mood and setting. If it doesn’t, then...
Reviewed by Michelle Assay in issue: 11/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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