Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sleigh bells ring briefly during the newest recording by the Philadelphia-based chamber choir The Crossing, but don’t expect your usual...
Reviewed by Donald Rosenberg in issue: 01/2023
For their fifth album the Detroit-based Akropolis Reed Quintet showcase two commissioned works that brilliantly exploit their unique instrumentation –...
Reviewed by Laurence Vittes in issue: 01/2023
Eric Zuber’s debut recording offers solo piano accounts of the dazzling Là ci darem la mano Variations, which Chopin composed...
Reviewed by Stephen Cera in issue: 01/2023
Before Ives, Chadwick, Amy Beach and John Knowles Paine, there were William Henry Fry, of Santa Claus Symphony fame, and...
Reviewed by Guy Rickards in issue: 01/2023
As masters of the art of hitting things, percussionists are deeply connected to the sheer physicality of making music. In...
Reviewed by Thomas May in issue: 01/2023
In September 2015 Jeremy Nicholas lamented that José Raúl López’s performance of Mozart’s D minor Concerto as reflected through the...
Reviewed by Harriet Smith in issue: 12/2022
Each of the seven works on Claire Bryant’s blazing debut album is about relationships and playing the cello in the...
Reviewed by Laurence Vittes in issue: 12/2022
I’d describe the music of Scott Ordway’s quite beautiful 2020 choral opera The Outer Edge of Youth as a blend...
Reviewed by Andrew Farach-Colton in issue: 12/2022
Marie-Eve Munger’s new recording is a tour de force of scholarship and artistry. The Canadian soprano has collected arias and...
Reviewed by Donald Rosenberg in issue: 12/2022
For his first stand-alone release, Julian Brink has repurposed and reorchestrated an incomplete score for an unfinished film. Utility Music...
Reviewed by Laurence Vittes in issue: 12/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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