Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘The most prolific female composer of the 19th century’ – it’s an achievement of sorts, but Emilie Mayer (1812-83) deserves...
Reviewed by Peter Quantrill in issue: 01/2023
Here we have it – a new mix of the ‘homecoming’ for Langgaard’s epic Symphony No 1, as broadcast from...
Reviewed by Andrew Mellor in issue: 01/2023
Whether as enhancement or alternative to Earth’s longer-term future, the exploration of space has never seemed as determined as now....
Reviewed by Richard Whitehouse in issue: 01/2023
Writing in this year’s Awards issue, Richard Whitehouse hailed La terra impareggiabile as ‘maybe not a song-cycle, but surely a...
Reviewed by Guy Rickards in issue: 01/2023
Telekinesis is the ability to move or shape objects from a distance using mental power rather than physical means. It’s...
Reviewed by Pwyll ap Siôn in issue: 01/2023
Anne-Sophie Mutter was not quite 20 when she recorded Brahms’s Double Concerto with cellist Antonio Meneses, Herbert von Karajan and...
Reviewed by Andrew Farach-Colton in issue: 01/2023
The Overture gets this new studio Egmont off to the most promising of starts. The strings of the Munich Radio...
Reviewed by Peter Quantrill in issue: 01/2023
Shanghai-born Haochen Zhang took the Gold Medal in the 2009 Van Cliburn Competition and was awarded the 2017 Avery Fisher...
Reviewed by Patrick Rucker in issue: 01/2023
Paul Merkelo’s nicely programmed album is a tribute to the great Ukrainian-born trumpet virtuoso Timofei Dokschitzer (also spelled Dokschizer or...
Reviewed by Guy Rickards in issue: 01/2023
Given that Javier Camarena has been a regular guest on many of the great opera stages for at least the...
Reviewed by Hugo Shirley in issue: 01/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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