Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This small gem of an opera, first seen in Milan in August 1814, was a collaboration between the 22-year-old Rossini...
Reviewed by Richard Osborne in issue: 08/2023
For a composer with only footnote status outside his native Italy, Licinio Refice (1883-1954) has friends in lofty places. The...
Reviewed by David Patrick Stearns in issue: 08/2023
It was Igor Stravinsky, ever reliable for a barbed quote, who once described Ravel as ‘the most perfect of Swiss...
Reviewed by Mark Pullinger in issue: 08/2023
Are we slaves to technology? Blinkered by an alternative reality? Even people glued to their tablets and smartphones may find...
Reviewed by Mark Pullinger in issue: 08/2023
Carlo il Calvo (Rome, 1738) was adapted anonymously from Francesco Silvani’s libretto La costanza in trionfo (Venice, 1696), although Boris...
Reviewed by David Vickers in issue: 08/2023
Ever since Nikolaus Harnoncourt’s and Jürgen Jürgens’s pathbreaking recordings of the 1970s, the challenges of performing Orfeo, arguably the most...
Reviewed by Iain Fenlon in issue: 08/2023
The mortal Acis loves the sea-nymph Galatea, but is murdered in a jealous rage by the Cyclops Polyphemus. Miraculously transformed...
Reviewed by Alexandra Coghlan in issue: 08/2023
Bernard Herrmann became completely obsessed with his opera Wuthering Heights, convinced that it was the work by which posterity would...
Reviewed by Adrian Edwards in issue: 08/2023
Carl Heinrich Graun owes his career to patron Frederick the Great, whose passion for music in general (and Italian opera...
Reviewed by Alexandra Coghlan in issue: 08/2023
Famously bought cheaply at auction as part of a job lot by a Belgian art dealer who thought only a...
Reviewed by David Fallows in issue: 08/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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