Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A sequence of fantasias by Carl Philipp Emanuel Bach illustrates both his individuality and his pivotal position between generations: that...
Reviewed by David Threasher in issue: 08/2023
Onyx Brass’s ‘Festmusik’ album (Chandos, 6/21) was an intriguing recital of German works prompted by a collection of letters bequeathed...
Reviewed by Guy Rickards in issue: 08/2023
If you have ever wondered what four saxophones, a piano and a cello sound like, here’s your answer. It’s not...
Reviewed by Jeremy Nicholas in issue: 08/2023
Five years ago the Tate in London staged ‘Aftermath’, an exhibition of European art after the First World War. The...
Reviewed by Peter Quantrill in issue: 08/2023
A child prodigy whose career as a concert pianist was cut short by injury, Stanisław Skrowaczewski (1923-2017) made his career...
Reviewed by Fabrice Fitch in issue: 08/2023
Composed in the early 1850s, when Anton Rubinstein was just finding his way, these two confident quartets sport evident virtues:...
Reviewed by Peter J Rabinowitz in issue: 08/2023
For around 20 years after its premiere in April 1976, Steve Reich’s Music for 18 Musicians remained largely within his...
Reviewed by Pwyll ap Siôn in issue: 08/2023
Enno Poppe is a force of nature in German new music. His floppy red hair and towering height are often...
Reviewed by Liam Cagney in issue: 08/2023
Talk about a chamber programme scoring off the chart for niche factor. In fact it’s entirely forgivable to have never...
Reviewed by Charlotte Gardner in issue: 08/2023
Written ‘in a completely new and special way, for I haven’t composed any for 10 years’ is how Haydn touted...
Reviewed by Charlotte Gardner in issue: 08/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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