Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Well, what a find – or set of finds, I should say. This fascinating programme, recorded in a warm church...
Reviewed by Charlotte Gardner in issue: 08/2023
I wish more artists would mix solo and orchestral repertoire like this. It makes for a delightful programme that will...
Reviewed by Jeremy Nicholas in issue: 08/2023
From a critical point of view, barring the opportunity to hear an artist publicly, often after the appearance of a...
Reviewed by Patrick Rucker in issue: 08/2023
Nikita Lukinov, a young Russian pianist who teaches at the Royal Conservatoire of Scotland, has chosen an all-Russian programme for...
Reviewed by Patrick Rucker in issue: 08/2023
Vingt Regards will be 80 next year, and it remains one of the most daunting edifices of solo piano music....
Reviewed by Harriet Smith in issue: 08/2023
I first became aware of the Russian-born UK-based pianist Dina Parakhina through chamber music collaborations with her violinist husband Yuri...
Reviewed by Jed Distler in issue: 08/2023
Han Chen first appeared on my reviewer radar when he won the China International Piano Competition back in 2013, not...
Reviewed by Jed Distler in issue: 08/2023
This album is my introduction to the Armenian-Danish pianist Marianna Shirinyan (b1978), though an album pairing Kuhlau and Beethoven album...
Reviewed by Jeremy Nicholas in issue: 08/2023
For someone who 10 years ago in an interview for The Independent claimed that Bach was ‘too boring’, a new...
Reviewed by Michelle Assay in issue: 08/2023
Mahan Esfahani continues his survey of Bach, digging now into the Notebooks for Anna Magdalena Bach and their fascinating miscellany...
Reviewed by Philip Kennicott in issue: 08/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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