Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Although orchestras were not foreign phenomena to chapels and cathedrals – they were de rigueur in Charles II’s Chapel Royal...
Reviewed by Jeremy Dibble in issue: 08/2023
In his sermon at St Paul’s Cathedral on the occasion of the United Guilds’ Service of the City of London...
Reviewed by Adrian Edwards in issue: 08/2023
‘“Because” reflects our wish to give this powerful repertoire [of African American songs] a new interpretation,’ write the two artists,...
Reviewed by Jeremy Nicholas in issue: 08/2023
There are perhaps two discoveries here. I say ‘perhaps’, because both things are already known. Jheronimus Vinders is one of...
Reviewed by Fabrice Fitch in issue: 08/2023
For all that this album takes its title from – and, as the booklet states unequivocally, ‘centres on’ – Ian...
Reviewed by Guy Rickards in issue: 08/2023
For Line Tjørnhøj, the human voice is a rare expression of truth in our bewildering deepfake world. Tjørnhøj’s multimedia vocal...
Reviewed by Liam Cagney in issue: 08/2023
I can’t think of many song discs that have left me with such ambivalent feelings as this. Live and on...
Reviewed by Richard Wigmore in issue: 08/2023
It comes as a shock to realise how few commercial recordings the Partridges, brother and sister, made together. Once upon...
Reviewed by Peter Quantrill in issue: 08/2023
Alma Mahler’s small output has provoked strong disagreement among listeners. The debate is no doubt exacerbated both by her controversial...
Reviewed by Peter J Rabinowitz in issue: 08/2023
This new set of Coleridge-Taylor’s choral pieces on a smaller scale is a welcome addition to the catalogue for several...
Reviewed by Jeremy Dibble in issue: 08/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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