Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With Shostakovich’s word-setting what happens between the words is, more than with any other composer I know (with the exception...
Reviewed by Edward Seckerson in issue: 09/2023
Noseda served part of his apprenticeship under Gergiev at the Mariinsky Theatre, and his concerts as principal conductor of the...
Reviewed by David Fanning in issue: 09/2023
It’s strange, but after decades of neglect the music of Florence Price seems uncannily familiar. The soulful themes with their...
Reviewed by Edward Seckerson in issue: 09/2023
'Pass over Sombart’ was Jed Distler’s verdict on the French pianist’s Beethoven concertos in December 2020. In the company of...
Reviewed by David Threasher in issue: 09/2023
The orchestra that brought Mahler’s Sixth into the world might indeed claim some historical kinship with his music – but...
Reviewed by Edward Seckerson in issue: 09/2023
Blue Griffin’s ambitious programme of Lowell Liebermann world premieres is dominated by the immersive relationships the soloists develop with the...
Reviewed by Laurence Vittes in issue: 09/2023
If you’re going to play Khachaturian’s noisy Third Symphony (1947), with its 15 trumpet parts, you need to fully commit,...
Reviewed by Andrew Farach-Colton in issue: 09/2023
I’ll cut right to the chase. The headline event here is the premiere recording of the Cello Concerto by Enrique...
Reviewed by Charlotte Gardner in issue: 09/2023
A Beethoven ‘cycle’ played piecemeal over the course of 14 years, by a band of young musicians changing personnel throughout...
Reviewed by Peter Quantrill in issue: 09/2023
These Beethoven concertos have waited a while to emerge, having been recorded in 2017 (No 3) and 2018 (No 4)....
Reviewed by Harriet Smith in issue: 09/2023
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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