Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Walter Braunfels’s career took flight, almost literally, with the composition of his 1920 opera The Birds, based on Aristophanes’s comedy....
Reviewed by Neil Fisher in issue: 04/2016
Here is an unusual proposition. Anna Lucia Richter and her accompanist, Michael Gees, offer a recital of songs by Schumann,...
Reviewed by Richard Fairman in issue: 04/2016
The temptation for Masaaki Suzuki to regard the four short Masses as a mopping-up exercise after the conclusion of his...
Reviewed by Jonathan Freeman-Attwood in issue: 04/2016
Here’s a good old-fashioned town hall organ recital of the kind that had people queuing round the block in the...
Reviewed by Jeremy Nicholas in issue: 04/2016
Sibelius’s piano music continues to divide opinion, and few commentators, with the notable exception of biographer Erik Tawaststjerna (whose son...
Reviewed by Andrew Achenbach in issue: 04
Most readers of Gramophone will have heard the name Ricordi, the great Italian music publisher. How many though, I wonder,...
Reviewed by Jeremy Nicholas in issue: 04/2016
This is the second recital disc from the young French harpsichordist Jean Rondeau. The first, a selection of Bach transcriptions,...
Reviewed by Lindsay Kemp in issue: 04/2016
My introduction to Dora Pejačević (1885-1923) came via the sixth of CPO’s pioneering discs devoted to her music (7/15), featuring...
Reviewed by Jeremy Nicholas in issue: 04/2016
Liszt’s cycle of 12 studies (his original idea was to write 24 in each of the major and minor keys)...
Reviewed by Jeremy Nicholas in issue: 04/2016
The Mexican-Lebanese pianist Simon Ghraichy avoids the now routine pairing of the Liszt Sonata with the Schumann Fantasy, substituting instead...
Reviewed by Patrick Rucker in issue: 04/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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