Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘An exceptionally fine singer’, noted the much-missed John Steane in his review of Thomas Oliemans’s Schwanengesang (Etcetera, 3/11), while being...
Reviewed by Richard Wigmore in issue: 04/2016
Christoph Prégardien is still one of the finest, most thoughtful Lieder singers active today, and this new recital, presenting nine...
Reviewed by Hugo Shirley in issue: 04/2016
The hero of Dacapo’s fourth recent recording of Nielsen’s ensemble songs isn’t so much the composer himself as DR, the...
Reviewed by Andrew Mellor in issue: 04/2016
It’s been a while since we’ve heard Magdalena Kožená in Baroque repertoire. Her previous recordings of music from the period,...
Reviewed by Alexandra Coghlan in issue: 04/2016
Hugo and Arnold de Lantins are somewhat shadowy figures (possibly brothers, though this is not proven) who rubbed shoulders with...
Reviewed by Fabrice Fitch in issue: 04/2016
When I interviewed Edward Gardner in 2014, he expressed regret that he’d not had the opportunity to conduct any Janáček...
Reviewed by Mark Pullinger in issue: 04/2016
It was indeed fateful that Howells should have found himself in Cambridge during the Second World War in order to...
Reviewed by Jeremy Dibble in issue: 04/2016
Augustus the Strong’s convenient conversion to Roman Catholicism in 1697 enabled the Elector of Saxony to become the King of...
Reviewed by David Vickers in issue: 04/2016
‘In this oratorio Handel saved his successors trouble by writing his own additional accompaniments,’ noted Winton Dean in his classic...
Reviewed by Richard Wigmore in issue: 04/2016
This new album from the Estonian Philharmonic Chamber Choir reinforces their position as one of the world’s leading vocal ensembles....
Reviewed by Malcolm Riley in issue: 04/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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