Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Co-written by Arthur Honegger and Jacques Ibert, L’Aiglon was first performed in Monte Carlo in March 1937. An adaptation of...
Reviewed by Tim Ashley in issue: 04/2016
Seasoned Donizettians will probably need a word of clarification when it comes this latest Opera Rara release; the less fully...
Reviewed by Hugo Shirley in issue: 04/2016
Each of the 13 instrumentalists in this performance is listed separately in the booklet with a full-page photo and accompanying...
Reviewed by Richard Fairman in issue: 04/2016
Ferdinando Bertoni knew that he was tempting fate composing Orfeo ed Euridice, to the Calzabigi libretto famously set by Gluck...
Reviewed by Richard Wigmore in issue: 04/2016
The booklet essay for Orfeo’s latest Salzburg Festival excavation is entitled ‘Fidelio – an opera for conductors’. This historic broadcast...
Reviewed by Mike Ashman in issue: 04/2016
The booklet essay for Orfeo’s latest Salzburg Festival excavation is entitled ‘Fidelio – an opera for conductors’. This historic broadcast...
Reviewed by Mike Ashman in issue: 04/2016
Operatic weddings tend to be eventful. Still, pity Count Rupert, hero of Balfe’s 1858 opera Satanella. Not only is his...
Reviewed by Richard Bratby in issue: 04/2016
Bucking the trend of their recent Delphian discs, this latest offering from the Merton College Choir abandons a thematic programme...
Reviewed by Marc Rochester in issue: 04/2016
In the third and last of their issues of 13th-century conductus arising from an AHRC research project at the University...
Reviewed by David Fallows in issue: 04/2016
Sensuality doesn’t so much ooze as burst in ecstatic, convulsive spasms from I Fagiolini’s latest recording. If it weren’t for...
Reviewed by Alexandra Coghlan in issue: 04/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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