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Review of HONEGGER/ IBERT L’Aiglon

HONEGGER/ IBERT L’Aiglon

Co-written by Arthur Honegger and Jacques Ibert, L’Aiglon was first performed in Monte Carlo in March 1937. An adaptation of...

Reviewed by Tim Ashley in issue: 04/2016

Review of DONIZETTI Le Duc d’Albe

DONIZETTI Le Duc d’Albe

Seasoned Donizettians will probably need a word of clarification when it comes this latest Opera Rara release; the less fully...

Reviewed by Hugo Shirley in issue: 04/2016

Review of BRITTEN The Turn of the Screw

BRITTEN The Turn of the Screw

Each of the 13 instrumentalists in this performance is listed separately in the booklet with a full-page photo and accompanying...

Reviewed by Richard Fairman in issue: 04/2016

Review of BERTONI Orfeo Ed Euridice

BERTONI Orfeo Ed Euridice

Ferdinando Bertoni knew that he was tempting fate composing Orfeo ed Euridice, to the Calzabigi libretto famously set by Gluck...

Reviewed by Richard Wigmore in issue: 04/2016

Review of BEETHOVEN Fidelio

BEETHOVEN Fidelio

The booklet essay for Orfeo’s latest Salzburg Festival excavation is entitled ‘Fidelio – an opera for conductors’. This historic broadcast...

Reviewed by Mike Ashman in issue: 04/2016

Review of BEETHOVEN Fidelio

BEETHOVEN Fidelio

The booklet essay for Orfeo’s latest Salzburg Festival excavation is entitled ‘Fidelio – an opera for conductors’. This historic broadcast...

Reviewed by Mike Ashman in issue: 04/2016

Review of BALFE Satanella

BALFE Satanella

Operatic weddings tend to be eventful. Still, pity Count Rupert, hero of Balfe’s 1858 opera Satanella. Not only is his...

Reviewed by Richard Bratby in issue: 04/2016

Review of Viri Galilaei

Viri Galilaei

Bucking the trend of their recent Delphian discs, this latest offering from the Merton College Choir abandons a thematic programme...

Reviewed by Marc Rochester in issue: 04/2016

Review of Conductus: Music & poetry from thirteenth-century France

Conductus: Music & poetry from thirteenth-century France

In the third and last of their issues of 13th-century conductus arising from an AHRC research project at the University...

Reviewed by David Fallows in issue: 04/2016

Review of Amuse-bouche: French Choral Delicacies

Amuse-bouche: French Choral Delicacies

Sensuality doesn’t so much ooze as burst in ecstatic, convulsive spasms from I Fagiolini’s latest recording. If it weren’t for...

Reviewed by Alexandra Coghlan in issue: 04/2016


 

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Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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