Jean Rondeau plays Royer & Rameau
View record and artist detailsRecord and Artist Details
Composer or Director: Joseph-Nicolas-Pancrace Royer, Jean-Philippe Rameau
Genre:
Instrumental
Label: Erato
Magazine Review Date: 04/2016
Media Format: CD or Download
Media Runtime: 72
Mastering:
DDD
Catalogue Number: 2564 69745-8

Tracks:
Composition | Artist Credit |
---|---|
Premier Livre de Pièces de Clavecin, Movement: Prelude |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: Allemande |
Joseph-Nicolas-Pancrace Royer, Composer
Jean Rondeau, Harpsichord Joseph-Nicolas-Pancrace Royer, Composer |
Pièces de clavecin, Movement: Les tendres plaintes |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: Les niais de Sologne avec doubles |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: l'entretien des muses |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: Les Matelots: Modérément |
Joseph-Nicolas-Pancrace Royer, Composer
Jean Rondeau, Harpsichord Joseph-Nicolas-Pancrace Royer, Composer |
Pièces de clavecin, Movement: Tambourins |
Joseph-Nicolas-Pancrace Royer, Composer
Jean Rondeau, Harpsichord Joseph-Nicolas-Pancrace Royer, Composer |
Pièces de clavecin, Movement: Le Vertigo: Rondeau Modérément |
Joseph-Nicolas-Pancrace Royer, Composer
Jean Rondeau, Harpsichord Joseph-Nicolas-Pancrace Royer, Composer |
Pièces de clavecin, Movement: La Zaïde: Rondeau Tendrement |
Joseph-Nicolas-Pancrace Royer, Composer
Jean Rondeau, Harpsichord Joseph-Nicolas-Pancrace Royer, Composer |
Pièces de clavecin, Movement: La Marche des Scythes: Fièrement |
Joseph-Nicolas-Pancrace Royer, Composer
Jean Rondeau, Harpsichord Joseph-Nicolas-Pancrace Royer, Composer |
Pièces de clavecin, Movement: Sarabande |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: Musette en rondeau |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: Tambourin |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: Menuet |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: Les sauvages |
Jean-Philippe Rameau, Composer
Jean Rondeau, Harpsichord Jean-Philippe Rameau, Composer |
Pièces de clavecin, Movement: L'Aimable: Gracieux |
Joseph-Nicolas-Pancrace Royer, Composer
Jean Rondeau, Harpsichord Joseph-Nicolas-Pancrace Royer, Composer |
Author: Lindsay Kemp
The repertoire he plays here – flamboyant and exotic late-Baroque fare from Rameau and Royer – seems a good fit for him. His agile and rock-solid finger technique means that Rameau’s Les Niais de Sologne and Royer’s La marche des Scythes can thrill as they should while never trampling on the gorgeous deep tone of the magnificent instrument, an 18th-century original attributed to Donzelague and known (after the place where it lives) as the ‘Château d’Assas harpsichord’. Yet he can also find the poetic eloquence in Royer’s La Zaïde and L’aimable, and Rameau’s Les tendres plaintes and (especially) the exquisite L’entretien des Muses, but the qualities with which he achieves that – an almost casually fluid approach to the rhythmic dislocation of individual lines and an ability to assume ornamentation into them as if it had always been there – are actually the ones that distinguish his performance style across the range of these pieces. His booklet-note reveals a strong visual imagination which likes to link these pieces to their operatic alter egos, and he is right to claim a filmic quality for the extraordinary, fractured Le Vertigo. And although that is not to say that he is incapable of over-egging things – his unhurried freedom risks losing hold of momentum in places, and his drawn-out account of Musette en rondeau surely misses the beguiling simplicity of Rameau’s piece – there is no doubt that here is a player of immense ability, from whom we reasonably may hope for much.
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