Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Several complete recordings exist of Palestrina’s sacred madrigal cycle on the biblical Song of Songs. For this reason, perhaps, The...
Reviewed by Fabrice Fitch in issue: 06/2016
Most of Arianna’s Lament from Monteverdi’s lost opera Arianna (1608) survives in his Sixth Book of Madrigals (1614) as a...
Reviewed by David Fallows in issue: 06/2016
Posthumous prints of music by the recently deceased often consist of offcuts and dredgings-up from the bottom of the drawer,...
Reviewed by Fabrice Fitch in issue: 06/2016
This is the third period-instrument Elijah (or Elias, as it must be here) on the market. No less than the...
Reviewed by Peter Quantrill in issue: 06/2016
A new recording of Machaut’s Mass is always an event, and this one is compelling and provocative in equal measure:...
Reviewed by Fabrice Fitch in issue: 06/2016
Tassis Christoyannis and Jeff Cohen’s Benjamin Godard album forms a sequel to their surveys of Félicien David and Edouard Lalo...
Reviewed by Tim Ashley in issue: 06/2016
Even diligent Italian Baroque specialists won’t know much about Alessandro Della Ciaia (c1605-c1670), an aristocrat in mid-17th-century Siena reputed to...
Reviewed by David Vickers in issue: 06/2016
Frieder Bernius is a Bachian whose work with his choir and period orchestra in Stuttgart has quietly made its mark...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2016
René Jacobs’s rethinking of the spatial relationships between choirs, players and soloists in his recording of the St Matthew Passion...
Reviewed by Lindsay Kemp in issue: 06/2016
‘Neglected Works for Piano’ is all that the front of Bengt Forsberg’s new CD reveals. The fact that they’re all...
Reviewed by Harriet Smith in issue: 06/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.