Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The two works Chopin wrote for cello and piano at either end of his career are here placed in reverse...
Reviewed by Jeremy Nicholas in issue: 06/2016
Judging a book by its cover is rightly frowned upon, but you can sure tell a lot about a string...
Reviewed by Philip Clark in issue: 06/2016
The two vintage Austrian Radio concert broadcasts combined and upgraded here – in vision and, perhaps, sound (no details) –...
Reviewed by Mike Ashman in issue: 06/2016
Most of this concert, recorded live at the Berlin Philharmonie last New Year’s Eve, is like being driven in the...
Reviewed by Jeremy Nicholas in issue: 06/2016
This most welcome second volume of British overtures serves to accentuate the sheer diversity of works this country produced in...
Reviewed by Jeremy Dibble in issue: 06/2016
Sometimes a work’s ubiquity blinds us to its brilliance. Familiarity breeds – albeit amiable, cosy – contempt. Rodrigo’s Concierto de...
Reviewed by William Yeoman in issue: 06/2016
The best thing about this disc is the programme, followed closely by the recorded sound and, a short distance behind...
Reviewed by Jeremy Nicholas in issue: 06/2016
No sooner had I greeted Lyrita’s enterprising refurbishment of Stanford Robinson’s 1956 BBC broadcast of RVW’s Falstaff opera Sir John...
Reviewed by Andrew Achenbach in issue: 06/2016
Repertoire, orchestra, producer (Andrew Keener) and venue (Liverpool Philharmonic Hall) prompt rosy memories of Vernon Handley’s distinguished March 1992 sessions...
Reviewed by Andrew Achenbach in issue: 06/2016
Weinberg’s Cello Concerto is one of those products of the time of the Soviet Union’s 1948 anti-formalism campaign that went...
Reviewed by David Fanning in issue: 06/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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