Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This is a delightful, well-paced recital of early- and mid-18th-century French music, if not always composed specifically for the recorder...
Reviewed by Julie Anne Sadie in issue: 06/2016
‘Stockholm Syndrome Ensemble’: what on earth were they thinking? Your first assumption is that it’s some sort of wordplay, but...
Reviewed by Richard Bratby in issue: 06/2016
Ensemble Nevermind took the title for their debut disc from Louis-Gabriel Guillemain’s 1743 collection of Sonates en quatuors ou conversations...
Reviewed by Julie Anne Sadie in issue: 06/2016
Reading Tasmin Little’s account of how the programme of this CD came into being, it is interesting to note that...
Reviewed by Jeremy Dibble in issue: 06/2016
The Trio Karénine were joint winners (with the Van Baerle Trio) of the 2013 ARD Competition in Munich. They formed...
Reviewed by Harriet Smith in issue: 06/2016
Steve Reich’s music is often at its most effective when he writes for different combinations of percussion and/or piano, often...
Reviewed by Pwyll ap Siôn in issue: 06/2016
‘Like Grandma’s oatmeal, Reger is good for you in some unspecified way but difficult to digest.’ Phil Salathé’s witty note...
Reviewed by Mark Pullinger in issue: 06/2016
It’s easy to view Komitas’s life and music through the prism of tragedy. The Armenian musician and monk was one...
Reviewed by Hannah Nepil in issue: 06/2016
Having made enjoyable recordings of the Op 2 (c1731) and Op 5 (1739) collections of trio sonatas, it makes perfect...
Reviewed by David Vickers in issue: 06/2016
Is James Ehnes capable of making a sound that isn’t beautiful? If you’ve been following his career you’ll already have...
Reviewed by Richard Bratby in issue: 06/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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