Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘As you can see, Martha and I are not alone,’ announces Daniel Barenboim to a packed Teatro Colón as three...
Reviewed by Richard Bratby in issue: 07/2016
The Manuscript XIV 726 of the Minorite Monastery in Vienna is one of the most important sources of Austrian Baroque...
Reviewed by Charlotte Gardner in issue: 07/2016
Back in 2011, four years after Reinhard Goebel’s Musica Antiqua Köln had disbanded, they issued a surprise new premiere recording...
Reviewed by Charlotte Gardner in issue: 07/2016
Paul Juon (1872-1940)enjoyed a brief vogue in Gramophone during the 1930s thanks to a set of the Chamber Symphony (1907)...
Reviewed by Peter Quantrill in issue: 07/2016
Time was that Ravel’s String Quartet went with Debussy’s on disc the way Mendelssohn’s Violin Concerto went with Bruch’s. The...
Reviewed by Richard Bratby in issue: 07/2016
Fans of Youri Egorov will be delighted with these two previously unreleased programmes. The first is an April 1980 recital...
Reviewed by Patrick Rucker in issue: 07/2016
The ‘French’ seem to be the least favoured on record among Bach’s keyboard suites, yet also perhaps the ones most...
Reviewed by Lindsay Kemp in issue: 07/2016
The sacred and the worldly rub shoulders in Nicky Spence and Malcolm Martineau’s ‘Paradis sur terre’, which opens with war-wounded...
Reviewed by Tim Ashley in issue: 07/2016
Hot on the heels of Andrew Parrott’s fine account of Taverner’s Western Wynde Mass (Avie, 5/16) comes this double-bill from...
Reviewed by Fabrice Fitch in issue: 07/2016
Carlo Gesualdo might get all the attention when it comes to colourful composer biographies but Alessandro Stradella (1639 82) gives...
Reviewed by Alexandra Coghlan in issue: 07/2016
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.