Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The litmus test here is the start of ‘La fontaine d’Aréthuse’, the most famous of the three Mythes, where, compared...
Reviewed by Rob Cowan in issue: 06/2017
Linda Catlin Smith (b1957) operates out of bustling urban Toronto, although her work puts you in mind of remote no-man’s-lands,...
Reviewed by Philip Clark in issue: 06/2017
The life of Leo Ornstein (1893-2002) is of a fascination such that his music often tends to be overlooked. The...
Reviewed by Richard Whitehouse in issue: 06/2017
What is the point of arranging music? To bring a work to a wider audience (when Beethoven and Brahms domesticated...
Reviewed by Peter Quantrill in issue: 8/2005
A grotto draped in black, a single lantern, a bishop prostrate before the altar: Haydn himself described the circumstances of...
Reviewed by Richard Bratby in issue: 06/2017
Detlev Glanert matured under the tutelage of Henze, and in three of the six works here he pays homage to...
Reviewed by Liam Cagney in issue: 06/2017
The Neos label continues to venture where others refuse to (or no longer) tread with its third release devoted to...
Reviewed by Richard Whitehouse in issue: 06/2017
Is it possible to define a distinctively French style of cello-playing? It would probably have something to do with the...
Reviewed by Richard Bratby in issue: 06/2017
Regular readers of these pages may spot that this is Giovanni Sollima’s second recording devoted to Giovanni Battista Costanzi, the...
Reviewed by Charlotte Gardner in issue: 06/2017
This is rather delicious, and features quite a range of salon music, from the pleasant galanteries of the various trios...
Reviewed by David Threasher in issue: 06/2017
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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