Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Opera galas are strange beasts, but this one from Baden Baden in 2016 (the booklet doesn’t give us the exact...
Reviewed by Hugo Shirley in issue: 02/2017
Rolando Villazón sings Alfredo, opposite Anna Netrebko, in what is probably one of the finest available versions of La traviata...
Reviewed by Hugo Shirley in issue: 02/2017
La scuola de’ gelosi was originally produced in Venice during the 1778/79 carnival. Haydn organised performances at Eszterháza (1780 81),...
Reviewed by David Vickers in issue: 02/2017
Puccini dismissed concerns about following a hit version of the Abbé Prévost’s Manon with his own adaptation: ‘Massenet feels it...
Reviewed by Neil Fisher in issue: 02/2017
Wexford Festival Opera is catnip for those seeking out rare repertory. It specialises in digging up long-forgotten relics and has...
Reviewed by Mark Pullinger in issue: 02/2017
The Vienna State Opera performed Hänsel und Gretel a few months after the end of the Second World War at...
Reviewed by Richard Lawrence in issue: 02/2017
Both of these one-act operas remain on the fringes of the repertoire, so any new performance or recording is worthy...
Reviewed by Andrew Farach-Colton in issue: 02/2017
André-Ernest-Modeste Grétry was an important figure in the development of opéra comique – where the musical numbers are separated by...
Reviewed by Richard Lawrence in issue: 02/2017
Though far from being the topless, red haired pantomime with which Samuel Ramey used to entertain us in this opera,...
Reviewed by Mike Ashman in issue: 02/2017
You can appreciate why Harri Ahmas describes his 2008 work Käärmesormus (‘Snake Ring’) as a ‘chamber opera’ but the title...
Reviewed by Andrew Mellor in issue: 02/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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