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Review of Ladies Only - Love and Lament (Schubert)

Ladies Only - Love and Lament (Schubert)

This is a disc I rather wish I weren’t reviewing. There’s a fine line between artlessness and blandness in Schubert,...

Reviewed by Richard Wigmore in issue: 02/2017

Review of MEYERBEER Songs Vol 2

MEYERBEER Songs Vol 2

Released some five years after the first volume, this second Naxos disc of Meyerbeer songs presents settings of poetry in...

Reviewed by Hugo Shirley in issue: 02/2017

Review of HANDEL Tu fedel? Tu costante? Italian cantatas

HANDEL Tu fedel? Tu costante? Italian cantatas

A prime selling point here is the premiere recording of an early version of the soprano cantata Tu fedel? Tu...

Reviewed by Richard Wigmore in issue: 02/2017

Review of GESUALDO Madrigals

GESUALDO Madrigals

Along with the Fifth Book of Madrigals issued alongside it, Gesualdo’s Sixth Book charts the culmination of his stylistic development,...

Reviewed by Fabrice Fitch in issue: 02/2017

Review of Christmas Cantatas

Christmas Cantatas

One of many useful ways in which the late Peter Williams (the final version of whose monumentum pro JSB was...

Reviewed by Peter Quantrill in issue: 02/2017

Review of DOVE For an Unknown Soldier

DOVE For an Unknown Soldier

Jonathan Dove might be expected to come up with a pragmatic response in commemorating the First World War, and so...

Reviewed by Richard Whitehouse in issue: 02/2017

Review of CHERUBINI; PLANTADE Requiems

CHERUBINI; PLANTADE Requiems

Hervé Niquet brings together two posthumous tributes to Louis XVI and Marie-Antoinette for the first time in a recording made...

Reviewed by Julie Anne Sadie in issue: 02/2017

Review of FINZI; BAX; IRELAND Choral Music

FINZI; BAX; IRELAND Choral Music

The Anglican choral tradition is shaped and defined as much by its buildings as by its choirs. Whether it’s St...

Reviewed by Alexandra Coghlan in issue: 02/2017

Review of JS BACH Cantatas BWV 12, 106, 150 &131

JS BACH Cantatas BWV 12, 106, 150 &131

Expectations were understandably high at the prospect of Vox Luminis graduating into the sphere of the young Bach cutting his...

Reviewed by Jonathan Freeman-Attwood in issue: 02/2017

Review of CPE BACH Der Frühling

CPE BACH Der Frühling

The ever-inquisitive Café Zimmermann present a cross-section of Carl Philipp Emanuel Bach’s least-known vocal and instrumental chamber music that conveys...

Reviewed by David Vickers in issue: 02/2017


 

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