Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a disc I rather wish I weren’t reviewing. There’s a fine line between artlessness and blandness in Schubert,...
Reviewed by Richard Wigmore in issue: 02/2017
Released some five years after the first volume, this second Naxos disc of Meyerbeer songs presents settings of poetry in...
Reviewed by Hugo Shirley in issue: 02/2017
A prime selling point here is the premiere recording of an early version of the soprano cantata Tu fedel? Tu...
Reviewed by Richard Wigmore in issue: 02/2017
Along with the Fifth Book of Madrigals issued alongside it, Gesualdo’s Sixth Book charts the culmination of his stylistic development,...
Reviewed by Fabrice Fitch in issue: 02/2017
One of many useful ways in which the late Peter Williams (the final version of whose monumentum pro JSB was...
Reviewed by Peter Quantrill in issue: 02/2017
Jonathan Dove might be expected to come up with a pragmatic response in commemorating the First World War, and so...
Reviewed by Richard Whitehouse in issue: 02/2017
Hervé Niquet brings together two posthumous tributes to Louis XVI and Marie-Antoinette for the first time in a recording made...
Reviewed by Julie Anne Sadie in issue: 02/2017
The Anglican choral tradition is shaped and defined as much by its buildings as by its choirs. Whether it’s St...
Reviewed by Alexandra Coghlan in issue: 02/2017
Expectations were understandably high at the prospect of Vox Luminis graduating into the sphere of the young Bach cutting his...
Reviewed by Jonathan Freeman-Attwood in issue: 02/2017
The ever-inquisitive Café Zimmermann present a cross-section of Carl Philipp Emanuel Bach’s least-known vocal and instrumental chamber music that conveys...
Reviewed by David Vickers in issue: 02/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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