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Jamie Barton: All Who Wander

Anyone who watched Jamie Barton sail serenely to victory at 2013’s Cardiff Singer of the World competition will know what...

Reviewed by Hugo Shirley in issue: 02/2017

SCHUMANN Dictherliebe and other lieder

The Swiss tenor Mauro Peter has the kind of Dichterliebe voice I hear in my mind’s ear: fresh, youthful, evenly...

Reviewed by Richard Wigmore in issue: 02/2017

Encores After Beethoven

I’ve enjoyed this enormously. The recordings – all live at the Zurich Tonhalle, with applause – are issued for the...

Reviewed by Stephen Plaistow in issue: 02/2017

Bach to the Future 2

It’s not often that you can say that a commission, or set of commissions, fills a genuine hole in the...

Reviewed by Charlotte Gardner in issue: 02/2017

LISZT Hungarian Rhapsodies (Complete)

In 1968 Alfred Brendel shrewdly observed of Liszt’s Rhapsodies, ‘these are the pieces we perhaps have the most to make...

Reviewed by Patrick Rucker in issue: 02/2017

BLOCH Solo Cello Suites. DALLAPICCOLA Ciaccona

Despite the appeal and popularity of Bloch’s Schelomo, his three solo cello suites have not been widely recorded. They were...

Reviewed by Philip Kennicott in issue: 02/2017

SIMPSON The Four Seasons

Christopher Simpson’s The Four Seasons is an unusual thing. Each season lasts about 15-20 minutes and consists of a Fancy...

Reviewed by Lindsay Kemp in issue: 02/2017

SCHUBERT String Quartets D703, D887

Here we have a follow-up to the Doric’s acclaimed 2012 disc pairing the Rosamunde and Death and the Maiden, this...

Reviewed by Harriet Smith in issue: 02/2017

TCHAIKOVSKY Symphony No 1. The Tempest

Victoria, Monteverdi, Carter, Boulez and a great deal in between: Pablo Heras-Casado is one of those conductors, not common in...

Reviewed by Peter Quantrill in issue: 02/2017

New South American Discoveries

These eight composers represent six Latin American nations, yet there are ties that draw their disparate voices together. The most...

Reviewed by Andrew Farach-Colton in issue: 02/2017

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