Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The premise of this intriguing project makes a certain intuitive sense. Stravinsky’s Mass was composed as a response to Machaut’s,...
Reviewed by Fabrice Fitch in issue: 05/2017
The first question, of course, is whether or not Winterreise really needs anything to accompany it, especially when it is...
Reviewed by Hugo Shirley in issue: 05/2017
Though issued by Alpha, this disc effectively complements Aparté’s recent survey of Saint-Saëns’s song collections with piano (3/17). Mélodies persanes,...
Reviewed by Tim Ashley in issue: 05/2017
The finely crafted, urgently communicative music of Glasgow-born Buxton Orr (1924 97) has not yet received due recognition, so all...
Reviewed by Andrew Achenbach in issue: 05/2017
When you are as big a star as Jonas Kaufmann, when your instrument is fach-defying and your choices in terms...
Reviewed by Edward Seckerson in issue: 05/2017
Seven first recordings ping out of Birmingham Conservatoire Chamber Choir’s celebration of the composer, 90 this year, associated with the...
Reviewed by Andrew Mellor in issue: 05/2017
These Swiss forces present Honegger’s first, 1923 revision of Le roi David that maintained the 17-strong instrumental ensemble of the...
Reviewed by Andrew Mellor in issue: 05/2017
The ensemble Cinquecento – resident in Vienna but international in their personnel – have made something of a career by...
Reviewed by David Fallows in issue: 05/2017
Morton Feldman’s 1982 Three Voices for female voice accompanied by two pre-recorded tracks relayed through a pair of giant loudspeakers...
Reviewed by Philip Clark in issue: 05/2017
Having written recently about Christophe Rousset’s recording of Couperin’s L’apothéose de Lully with Stéphane Degout (Aparté, 12/16), I was surprised...
Reviewed by Julie Anne Sadie in issue: 05/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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