Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Franco Pavan’s recent forays into the exciting world of folk/early music with Laboratorio ’600 are stylish and exciting. His combination...
Reviewed by Edward Breen in issue: 09/2016
This is ORA’s third release in less than 18 months – a breathless pace that conductor-founder Suzi Digby plans to...
Reviewed by Alexandra Coghlan in issue: 09/2017
A collection of settings of Psalm 42 in various translations curated by Catherine Alette Clover, author of New College-themed novel...
Reviewed by Andrew Mellor in issue: 09/2017
Gundula Janowitz officially retired from the stage in 1990 and, according to most accounts, gave occasional recitals until around the...
Reviewed by Hugo Shirley in issue: 09/2017
How do you sing Kurt Weill? There is, I suspect, ultimately no one answer. As Dagmar Pecková points out in...
Reviewed by Tim Ashley in issue: 09/2017
Vaughan Williams must have been gratified by the positive reaction to his score for Scott of the Antarctic. The film...
Reviewed by Adrian Edwards in issue: 09/2017
This programme presents songs by Szymanowski covering the half-decade between 1900 and 1905. They are youthful works, then, which point...
Reviewed by Hugo Shirley in issue: 09/2017
This recording presents an orchestration of Sviridov’s song-cycle on verses by Yesenin, Russia Cast Adrift (which Hvorostovsky has already recorded...
Reviewed by Ivan Moody in issue: 09/2017
In a note in the booklet to her debut album, Louise Alder talks about her ‘personal passionate love affair’ with...
Reviewed by Hugo Shirley in issue: 09/2017
A couple of years ago Stephan Genz and Michel Dalberto released a Winterreise that was welcomed in these pages by...
Reviewed by Hugo Shirley in issue: 09/2017
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.