GUYOT Te Deum laudamus
View record and artist detailsRecord and Artist Details
Composer or Director: J. Guyot de Chätelet
Genre:
Vocal
Label: Hyperion
Magazine Review Date: 05/2017
Media Format: CD or Download
Media Runtime: 64
Mastering:
DDD
Catalogue Number: CDA68180
Tracks:
Composition | Artist Credit |
---|---|
Adorna thalamum |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Amen, amen dico vobis |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Accepit Jesus panem |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Ave Maria…Signum magnum |
J. Guyot de Chätelet, Composer
David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Noe, noe, genuit puerpera |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
O florens rosa |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Omni tempore benedic Deum |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Prudentes virgines |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Te Deum laudamus |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Te Deum Patrem |
J. Guyot de Chätelet, Composer
Cinquecento David Allsopp, Countertenor J. Guyot de Chätelet, Composer |
Author: David Fallows
But Guyot emerges from this disc as a marvellously fluent composer, perhaps a touch unvaried in texture but always pleasing: only in the Te Deum that closes the disc, conceivably one of his last works, does the music actually begin to jump to the ear. The five adult men of Cinquecento – here joined by the countertenor David Allsopp – are, as always, absolutely flawless in the performance of this music. Even by the best standards of today their ensemble, balance and intonation are beyond reproach. David Gostick’s lucid and useful booklet-note includes deft characterisations of the motets presented.
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