Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Baroque Song (2007) draws on chorale preludes for organ by Bach – Thierry Escaich is organist at the Church of...
Reviewed by Andrew Farach-Colton in issue: 09/2017
Chineke!’s motto is ‘Championing change and celebrating diversity in classical music’. Its orchestra, made up of young Black and Minority...
Reviewed by Mark Pullinger in issue: 09/2017
Callirhoë is no mere ballet score but a ‘ballet symphonique’, a title perhaps inspired by Litolff’s earlier five concertos symphoniques....
Reviewed by Jeremy Nicholas in issue: 09/2017
The late works of Elliott Carter (1908 2012) are so numerous as to constitute an output on their own. Just...
Reviewed by Richard Whitehouse in issue: 09/2017
The Chicago Symphony Orchestra has a long tradition of performing Bruckner’s music, the Fourth Symphony having featured in concert as...
Reviewed by Christian Hoskins in issue: 08/2017
In a personal booklet note for this set Andris Nelsons celebrates the recorded legacy of Brahms in Boston, referencing complete...
Reviewed by Edward Seckerson in issue: 09/2017
Keen-eared collectors will enjoy spotting the differences between Walton’s original 1939 version of the Violin Concerto (familiar to connoisseurs from...
Reviewed by Andrew Achenbach in issue: 09/2017
The continuation of CPO’s Hendrik Andriessen series shows the Dutchman to be nothing if not consistent. His music is always...
Reviewed by David Fanning in issue: 09/2017
Mendelssohn’s five numbered symphonies make a motley collection: a piece of precocious juvenilia, three ‘named’ symphonies, only one of which...
Reviewed by Richard Wigmore in issue: 09/2017
Leaving other Oxbridge choirs to squabble over Tallis and Byrd, under director Geoffrey Webber the Choir of Gonville & Caius...
Reviewed by Alexandra Coghlan in issue: 09/2017
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
'This is a treasure trove of information, thoroughly recommended'
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.