Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As Axel Klein’s introductory note suggests, Irish new music is a significant yet relatively unknown facet of the European scene...
Reviewed by Richard Whitehouse in issue: 05/2017
Chausson’s Concert for violin, piano and string quartet is chamber music, of course, yet displays a symphonic character that justifies...
Reviewed by Andrew Farach-Colton in issue: 05/2017
During the late 1600s, when Dieterich Buxtehude was organist of the Marienkirche in Lübeck, the town council received a wonderful...
Reviewed by Charlotte Gardner in issue: 05/2017
Most pianists approach the Brahms Quintet with a degree of trepidation, for it’s a big play and there’s a lot...
Reviewed by Harriet Smith in issue: 05/2017
Amatory love is the subtext of the first and last works on this imaginatively planned European programme, the ‘intimate letters’...
Reviewed by Rob Cowan in issue: 05/2017
If this is indeed the first commercial recording of a substantial but lost chamber work by Bartók, one’s instinctive reaction...
Reviewed by Richard Bratby in issue: 05/2017
Even before hitting the stereo, this first solo recording from violinist Chiara Zanisi was looking rich with promise, because while...
Reviewed by Charlotte Gardner in issue: 05/2017
A nice idea this, to complement London Early Opera’s ‘Handel in Italy’ and ‘Handel at Vauxhall’ series with a project...
Reviewed by Lindsay Kemp in issue: 05/2017
The same qualities as on her delightful cornucopia ‘Satie & Compagnie’ (4/13) are on display again in Anne Queffélec’s programme...
Reviewed by Jeremy Nicholas in issue: 05/2017
The London thread running through this programme is understandable, but I am not sure it makes much musical sense. Nor...
Reviewed by Marc Rochester in issue: 05/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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