Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The orchestra is an enormous canvas to which Jennifer Higdon applies subtle and bold colours. Her ability to use instruments...
Reviewed by Donald Rosenberg in issue: 05/2017
The American composer Juliana Hall has devoted herself to the art song for nearly three decades. Her sensitivity to words...
Reviewed by Donald Rosenberg in issue: 05/2017
Christopher Houlihan commences BWV542’s Fantasia with a delightful introductory flourish, and characterises the rippling fireworks and introspective interludes with strikingly...
Reviewed by Jed Distler in issue: 05/2017
Anyone planning an all-Russian cello recital has a wonderfully rich menu to choose from. And with over 80 minutes of...
Reviewed by Richard Bratby in issue: 05/2017
Cellist Jakob Kullberg’s immersion in the works of Per Nørgård has seen him enlist his trio colleagues for this assembly...
Reviewed by Andrew Mellor in issue: 05/2017
Anyone familiar with the alluring quasi-minimalist music of the Dutch composer Simeon ten Holt could easily draw parallels between Holt’s...
Reviewed by Rob Cowan in issue: 05/2017
It would be very easy for Daniil Trifonov, only just 26 and with the world at his feet, to spend...
Reviewed by Harriet Smith in issue: 05/2017
The Prokofiev violin repertoire has been very fruitfully tapped in recent times, and this new release of the two sonatas...
Reviewed by Geoffrey Norris in issue: 05/2017
On the face it these two works, composed at either end of the string quartet’s golden age, make unlikely bedfellows....
Reviewed by Richard Wigmore in issue: 05/2017
It occurred to me while listening to this sensitively planned programme that the vintage violinist who Tasmin Little most reminds...
Reviewed by Rob Cowan in issue: 05/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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