Abbey Spectacular!
View record and artist detailsRecord and Artist Details
Composer or Director: Johann Sebastian Bach, Eric Coates, William Walton, Edward Elgar, Marcel Dupré, Louis Vierne, Norman Cocker, Percy (William) Whitlock, (George) Percy (Aldridge) Grainger
Genre:
Instrumental
Label: Priory
Magazine Review Date: 05/2017
Media Format: CD or Download
Media Runtime: 78
Mastering:
DDD
Catalogue Number: PRCD1175
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Tracks:
Composition | Artist Credit |
---|---|
(4) Orchestral Suites, Movement: No. 3 in D, BWV1068 (2 oboes, 3 trumpets, strings |
Johann Sebastian Bach, Composer
Daniel Cook, Organ Johann Sebastian Bach, Composer |
Toccata and Fugue |
Johann Sebastian Bach, Composer
Daniel Cook, Organ Johann Sebastian Bach, Composer |
London Suite, Movement: Westminster: meditation |
Eric Coates, Composer
Daniel Cook, Organ Eric Coates, Composer |
Tuba Tune |
Norman Cocker, Composer
Daniel Cook, Organ Norman Cocker, Composer |
(3) Preludes and Fugues, Movement: B |
Marcel Dupré, Composer
Daniel Cook, Organ Marcel Dupré, Composer |
Pomp and Circumstance, Movement: No. 1 in D (1901) |
Edward Elgar, Composer
Daniel Cook, Organ Edward Elgar, Composer |
Handel in the Strand |
(George) Percy (Aldridge) Grainger, Composer
(George) Percy (Aldridge) Grainger, Composer |
Pièces de fantaisie, Suite No. 3, Movement: Carillon de Westminster |
Louis Vierne, Composer
Daniel Cook, Organ Louis Vierne, Composer |
Orb and Sceptre |
William Walton, Composer
William Walton, Composer |
(2) Fantasie Chorals, Movement: No. 1 in D flat |
Percy (William) Whitlock, Composer
Daniel Cook, Organ Percy (William) Whitlock, Composer |
Author: Marc Rochester
Walton’s march for the Queen’s coronation in the Abbey, arranged by the then organist Sir William McKie, makes an invigorating opener. Walton would surely have relished the vitality with which Cook infuses his jazz-inspired rhythms. Bach aficionados, on the other hand, will not relish the thundering Englishness of Cook’s take on the Toccata and Fugue in F – provided, that is, they have survived his sickly transcription of the ‘Air on the G String’. Cocker’s Tuba Tune will not disappoint tuba lovers, Whitlock’s Fantasie Choral will appeal to Whitlock lovers (and convert none who are not), and excellent transcriptions of Elgar, Coates and Grainger will entertain everyone. If there is musical meat in this programme, it comes with the Vierne Carillon de Westminster, sounding magnificently at home on this majestic organ, and the scintillating Prelude and Fugue in B by Marcel Dupré which, in Cook’s glittering performance, gives us all the kind of wow factor which Widor’s Toccata used to until it got itself played to exhaustion.
All in all, a populist programme that does a little bit more than merely provide a superb sonic souvenir for the Abbey’s countless visitors.
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