Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Handicapped by stilted, slow-moving librettos, Schubert’s stage works, like Haydn’s, seem forever destined to languish on the margins of the...
Reviewed by Richard Wigmore in issue: 09/2017
This recording joins what is now a very crowded market indeed, so much has Rachmaninov’s masterpiece become part of the...
Reviewed by Ivan Moody in issue: 09/2017
In his lifetime Haydn was frequently taken to task for the worldliness of his Masses – too much of the...
Reviewed by Richard Wigmore in issue: 09/2017
Equally known as a composer of film scores (notably that for Sergey Parajanov’s The Colour of Pomegranates) as for the...
Reviewed by Richard Whitehouse in issue: 09/2017
As austerely beautiful as the cathedrals that it filled, the music of the Spanish Renaissance stands apart from its Italian...
Reviewed by Alexandra Coghlan in issue: 09/2017
Handel’s first oratorio (Rome, 1707) is a moral dispute over the eternal happiness of the naive Beauty (Bellezza), who struggles...
Reviewed by David Vickers in issue: 09/2017
Hot on the heels of uneven accounts of Handel’s so-called German Arias by Ina Siedlaczek (Audite) and Gillian Keith (Channel...
Reviewed by David Vickers in issue: 09/2017
The venue is the Berlin Philharmonie, the engineering teams of Pentatone and German radio familiar from many excellent recordings, but...
Reviewed by Peter Quantrill in issue: 09/2017
‘Lux’ – the opening word of the opening track on ‘Sudden Light’, Lux orta est iusto – bursts into the...
Reviewed by Alexandra Coghlan in issue: 09/2017
In a lovely piece of programming, Ron-Dirk Entleutner and the young musicians of the Landesjugendchor Sachsen and the Jugendsinfonieorchester Leipzig...
Reviewed by Alexandra Coghlan in issue: 09/2017
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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