Xavier Sabata : Catharsis
View record and artist detailsRecord and Artist Details
Composer or Director: Francesco Bartolomeo Conti (Contini), Johann (Adolph) Hasse, George Frideric Handel, Pietro Torri, Domenico Natale Sarro, Antonio Vivaldi, Giuseppe Maria Orlandini, Antonio Caldara, Attilio (Malachia) Ariosti
Genre:
Opera
Label: Aparte
Magazine Review Date: 05/2017
Media Format: CD or Download
Media Runtime: 66
Mastering:
DDD
Catalogue Number: AP143
Tracks:
Composition | Artist Credit |
---|---|
Caio Marzio Coriolano, Movement: Spirate, o iniqui marmi…Voi d’un figlio tanto misero |
Attilio (Malachia) Ariosti, Composer
Armonia Atenea Attilio (Malachia) Ariosti, Composer George Petrou, Conductor Xavier Sabata, Countertenor |
Temistocle, Movement: Ah, frenate il pianto imbelle |
Antonio Caldara, Composer
Antonio Caldara, Composer Armonia Atenea George Petrou, Conductor Xavier Sabata, Countertenor |
Griselda, Movement: In te, sposa Griselda, mi uccido…Cara sposa |
Francesco Bartolomeo Conti (Contini), Composer
Armonia Atenea Francesco Bartolomeo Conti (Contini), Composer George Petrou, Conductor Xavier Sabata, Countertenor |
Admeto, Re di Tessaglia, Movement: Introduction |
George Frideric Handel, Composer
Armonia Atenea George Frideric Handel, Composer George Petrou, Conductor Xavier Sabata, Countertenor |
Admeto, Re di Tessaglia, Movement: Orride larve |
George Frideric Handel, Composer
Armonia Atenea George Frideric Handel, Composer George Petrou, Conductor Xavier Sabata, Countertenor |
(La) Conversione di Sant' Agostino, Movement: Viver vogl’io sempre per te moi dio…Or mi pento |
Johann (Adolph) Hasse, Composer
Armonia Atenea George Petrou, Conductor Johann (Adolph) Hasse, Composer Xavier Sabata, Countertenor |
Adelaide, Movement: Ciò che donò…Alza al ciel |
Giuseppe Maria Orlandini, Composer
Armonia Atenea George Petrou, Conductor Giuseppe Maria Orlandini, Composer Xavier Sabata, Countertenor |
Adelaide, Movement: O del moi caro ben…Già mi sembra al carro avvinto |
Giuseppe Maria Orlandini, Composer
Armonia Atenea George Petrou, Conductor Giuseppe Maria Orlandini, Composer Xavier Sabata, Countertenor |
Valdemaro, Movement: Valdemaro – Sorte nemica…Quando onor favella al core |
Domenico Natale Sarro, Composer
Armonia Atenea Domenico Natale Sarro, Composer George Petrou, Conductor Xavier Sabata, Countertenor |
Griselda, Movement: Vorresti col tuo pianto |
Pietro Torri, Composer
Armonia Atenea George Petrou, Conductor Pietro Torri, Composer Xavier Sabata, Countertenor |
Farnace, Movement: Gelido in ogni vena (Act 2, scene 6) |
Antonio Vivaldi, Composer
Antonio Vivaldi, Composer Armonia Atenea George Petrou, Conductor Xavier Sabata, Countertenor |
Author: David Vickers
The extreme velocity of Petrou’s direction and Sabata’s exaggerated singing in Vivaldi’s ‘Gelido in ogni vena’ labours the point – a little less could have been considerably more (this alto transposition is apparently from the 1730 Prague opera Argippo). The opening scene of Handel’s Admeto (1727) and the prison scene from Ariosti’s Coriolano (1723) are given intensive interpretations in which the loud and soft contrasts during accompanied recitatives are accordingly abrasive or deeply sentimental – an approach that risks diminishing nuanced coherence – but the ensuing slow arias are each articulated tenderly. Oboes and horns contribute subtly to the rococo style of Hasse’s depiction of the newly converted St Augustine (Dresden, 1750), and there is a lilting gracefulness in the title-hero’s ‘Ah, frenate il pianto imbelle’ from Caldara’s Temistocle (Vienna, 1736).
The music-making is never devoid of interest and richness, but it is at its most persuasive when the performers let the music speak more naturally.
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