Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘It’s not always about making the most beautiful sound … some of the writing is quite violent …’ So observed...
Reviewed by Rob Cowan in issue: 06/2018
The Ariel Quartet was formed in Jerusalem nearly 20 years ago when its members – barely into their teens at...
Reviewed by Andrew Farach-Colton in issue: 06/2018
While I can’t claim to have heard every recording of JS Bach’s works for solo flute and harpsichord in the...
Reviewed by William Yeoman in issue: 06/2018
One of the joys of reviewing is when a minor composer belatedly receives their due. This isn’t one of those...
Reviewed by Richard Bratby in issue: 06/2018
In late 2012 Hurricane Sandy struck New York City, causing widespread flooding, chaos and carnage. Landfall represents Laurie Anderson’s response...
Reviewed by Pwyll ap Siôn in issue: 06/2018
The booklet essay is cagey about the rationale behind Andreas Haefliger’s latest instalment of ‘programme constellations’ each built around a...
Reviewed by David Fanning in issue: 06/2018
My first exposure to the playing of the Croatian pianist Goran Filipec was on a stunning disc of Paganini studies...
Reviewed by Jeremy Nicholas in issue: 06/2018
The complete Stravinsky solo works are a daunting undertaking and Oxana Shevchenko, who took first prize in the 2010 Scottish...
Reviewed by David Fanning in issue: 06/2018
Marc-André Hamelin is one of those artists who warrant frequent attention. Now 56 and presumably at the peak of his...
Reviewed by Patrick Rucker in issue: 06/2018
To that old chestnut ‘does the composer write for the instrument or the performer?’, the answer is probably a bit...
Reviewed by Pwyll ap Siôn in issue: 06/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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