Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sibelius as proto-minimalist – well, why not? That’s what the conductor Thomas Kemp suggests in his booklet notes, and his...
Reviewed by Richard Bratby in issue: 06/2018
Two Trouts, one frolicking in the Oder, the other freezing in an Alpine stream in the skiing region around Chamonix....
Reviewed by David Threasher in issue: 06/2018
‘Sit back and enjoy’ urges the booklet and it really would be a pity not to listen right through. A...
Reviewed by Richard Bratby in issue: 06/2018
Sixteen years separate Nyman’s String Quartets Nos 4 and 5 – quite a hiatus when you consider that Nos 1...
Reviewed by Pwyll ap Siôn in issue: 06/2018
If ever you needed proof of how utterly tone-deaf were the Soviet Union’s post-war denunciations of musical ‘formalism’, you couldn’t...
Reviewed by Richard Bratby in issue: 06/2018
Five Haydn piano trios trace a passage from light to darkness – well, almost. The Trio Wanderer open with the...
Reviewed by David Threasher in issue: 06/2018
Too little attention has been paid to Reynaldo Hahn’s chamber music of late, so this beautiful CD, marking the start...
Reviewed by Tim Ashley in issue: 06/2018
The name of Kyung Wha Chung automatically compels respect, and it might be argued that if any artist has earned...
Reviewed by Richard Bratby in issue: 06/2018
Born in New Zealand though long resident in Edinburgh, Lyell Cresswell (b1944) is among those ‘well-respected if not widely known’...
Reviewed by Richard Whitehouse in issue: 06/2018
This disc’s cover image – violinist Emilio Moreno selecting a patterned shirt from a bundle on a hanger, jacket gripped...
Reviewed by Charlotte Gardner in issue: 06/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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