Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Remarkably, recorded versions of Weinberg’s Piano Quintet are now up around double figures. Maybe not so remarkably, because this is...
Reviewed by David Fanning in issue: 07/2018
Shostakovich is something of a departure on disc for both the Belcea Quartet and Piotr Anderszewski but a very welcome...
Reviewed by Harriet Smith in issue: 07/2018
This debut recording by the Trio Vitruvi leaves me frankly perplexed. On the one hand, I’m impressed by these young...
Reviewed by Andrew Farach-Colton in issue: 07/2018
As the cover billing suggests, Isabelle Faust is very much the guiding light in this period-instrument Octet. Yet her creative...
Reviewed by Richard Wigmore in issue: 07/2018
‘A conversation between two instruments instead of a debate between two virtuosos’ is how Saint-Saëns described La Muse et le...
Reviewed by Tim Ashley in issue: 07/2018
Parry made no secret of his musical lineage. ‘Zweite Quartette C dur’, wrote the 20-year-old composer on the score of...
Reviewed by Richard Bratby in issue: 07/2018
The cellist Marcy Rosen was a founding member of the Mendelssohn String Quartet and remained with the ensemble for more...
Reviewed by Andrew Farach-Colton in issue: 07/2018
We have the Philharmonie de Paris’s Musée de la Musique to thank for this thoughtful programme from Ensemble Amarillis, because...
Reviewed by Charlotte Gardner in issue: 07/2018
The Irish composer Andrew Hamilton (b1977) writes what one might describe as informal process music, whereby very short musical fragments...
Reviewed by Fabrice Fitch in issue: 07/2018
Górecki’s Third String Quartet remains one of his most indecipherable works. It is a meditation on death (the Russian poet...
Reviewed by Ivan Moody in issue: 08/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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