Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
As Jessica Duchen observes in her warmly sympathetic booklet notes, choral music presently accounts for over two-thirds of Roxanna Panufnik’s...
Reviewed by Richard Whitehouse in issue: AW18
Hats off to Lyrita for this second helping of choral offerings by Gloucester-born Michael Hurd (1928-2006), a much-loved scholar, lecturer,...
Reviewed by Andrew Achenbach in issue: AW18
The discography of Hindemith’s great song-cycle setting Rainer Maria Rilke, Das Marienleben, is complicated by the fact that it exists...
Reviewed by Hugo Shirley in issue: AW18
The third volume of Holger Falk and Steffen Schleiermacher’s superb survey of the songs of Hanns Eisler sees them reach...
Reviewed by Hugo Shirley in issue: AW18
In 1920 Pavel Chesnokov was appointed Professor at the Moscow Conservatory, teaching choral techniques. He published a major treatise on...
Reviewed by Marc Rochester in issue: AW18
Despite being widely performed since its publication in 2010, the chamber-scaled arrangement of the Requiem by the flautist Johannes Linckelmann...
Reviewed by Peter Quantrill in issue: AW18
Harmonia Mundi has decided to mark the centenary of Debussy’s death this year not by issuing a bumper box of...
Reviewed by Mark Pullinger in issue: AW18
With Schubert dead and Schumann devoting himself almost exclusively to the piano, the 1830s might seem a relatively fallow, ‘in-between’...
Reviewed by Richard Wigmore in issue: AW18
Although Arthur Vincent Lourié was a key figure among Russian composers involved in the Futurist movement, his earlier works often...
Reviewed by Jed Distler in issue: AW18
Given that this album has taken up permanent residence beside my stereo since it popped on to my doormat a...
Reviewed by Charlotte Gardner in issue: AW18
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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