Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘O radiant Luminary’: composers down the ages have attempted to catch light in music, but the opening of Prayer to...
Reviewed by Peter Quantrill in issue: 06/2018
Following his intriguing Machaut/Stravinsky Mass pairing (5/17), Simon-Pierre Bestion offers us a Resurrection History similarly recontextualised, associating it with selections...
Reviewed by Fabrice Fitch in issue: 06/2018
Antonio Florio and his enterprising accomplices continue to mine the rich seams of forgotten Neapolitan Baroque composers. Donato Ricchezza (c1650-1722)...
Reviewed by David Vickers in issue: 06/2018
Purists immune to the charms of Martha Argerich and Sergei Babayan’s Prokofiev for Two (see page 65) might prefer the...
Reviewed by David Gutman in issue: 06/2018
With one exception, Mozart’s works for Masonic functions are among his most neglected. True, they are mainly occasional works, often...
Reviewed by David Threasher in issue: 06/2018
Monteverdi published two monumental collections of church music during his lifetime (in 1610 and 1641), but these must have been...
Reviewed by David Vickers in issue: 06/2018
This delectable collection of Monteverdi for soprano and ensemble is titled ‘La dolce vita’, and while it’s a perfect fit...
Reviewed by Alexandra Coghlan in issue: 06/2018
This is an intriguing programme. Though one might initially think that it is simply inspired by the juxtaposition of the...
Reviewed by Ivan Moody in issue: 06/2018
It may be appropriate that a concert given on the centenary of Mahler’s death should contain his last completed symphonic...
Reviewed by Hugo Shirley in issue: 06/2018
Reiner Riehn’s completion of Arnold Schoenberg’s chamber arrangement of Das Lied von der Erde has made several appearances on disc,...
Reviewed by Hugo Shirley in issue: 06/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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