Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
For evidence of the blurred boundaries that keep shifting between music for the concert hall and compositions written for film...
Reviewed by Pwyll ap Siôn in issue: 04/2024
In his June 1937 editorial, Compton Mackenzie remarked that Elgar once told him that he considered Busoni ‘the greatest musical...
Reviewed by Peter Quantrill in issue: 04/2024
On first hearing, this new set of Brahms violin sonatas by Rachel Kolly and Christian Chamorel makes a curious impression:...
Reviewed by David Patrick Stearns in issue: 04/2024
Piano trios have cause to be grateful that Brahms’s loyal friend Theodor Kirchner (1823-1903) did such a thoroughly professional job...
Reviewed by Richard Wigmore in issue: 04/2024
The namesake of France’s Quatuor Agate is an ornamental gemstone. ‘Agate’ also alludes to the group’s affinity for Brahms, whose...
Reviewed by Stephen Cera in issue: 04/2024
Rob Cowan recently remarked that Casals and Horszowski make Brahms’s Second Cello Sonata ‘sound truly the Eroica of cello sonatas’...
Reviewed by Peter J Rabinowitz in issue: 04/2024
My colleague Andrew Farach-Colton ended his review of the previous volume, of the Pastoral and the Piano Trio Op 1...
Reviewed by Harriet Smith in issue: 04/2024
For such a starry orchestra, the Berlin Philharmonic has a pretty threadbare Rachmaninov catalogue. Their only symphony cycle was with...
Reviewed by Mark Pullinger in issue: 04/2024
Across the years the New Year’s Day concert from Vienna’s Musikverein has been conducted by the crème de la crème...
Reviewed by Adrian Edwards in issue: 04/2024
Edmund Finnis describes his Hymn (after Byrd) – an arrangement for string orchestra of the fourth movement of his First...
Reviewed by Andrew Farach-Colton in issue: 04/2024
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
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