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Review of LUDFORD 'Ymaginacions’

LUDFORD 'Ymaginacions’

For their second album, La Quintina premiere an unknown Mass by English Renaissance composer Nicholas Ludford (c1490-1557), performed by three...

Reviewed by Edward Breen in issue: 02/2024

Review of LANGGAARD Songs (Louise McClelland Jacobsen)

LANGGAARD Songs (Louise McClelland Jacobsen)

Songs comprise a substantial part of Rued Langgaard’s earlier output, affording an overview of how his music evolved during his...

Reviewed by Richard Whitehouse in issue: 02/2024

Review of HOWARD The Anvil

HOWARD The Anvil

Emily Howard’s choral work The Anvil was commissioned by BBC Radio 3 and the Manchester International Festival in 2019 to...

Reviewed by Jeremy Dibble in issue: 02/2024

Review of FRANCK Les Béatitudes (Madaras)

FRANCK Les Béatitudes (Madaras)

Joël-Marie Fauquet’s booklet note for this recording of Les Béatitudes (1879) is a model of its kind, as it does...

Reviewed by Andrew Farach-Colton in issue: 02/2024

Review of CHARPENTIER; DESMAREST Te Deum

CHARPENTIER; DESMAREST Te Deum

The most lavish of Charpentier’s four extant Te Deum settings was for an unknown occasion in 1692; there is an...

Reviewed by David Vickers in issue: 02/2024

Review of CALDARA Gloria RESPIGHI Lauda per la Natività del Signore

CALDARA Gloria RESPIGHI Lauda per la Natività del Signore

Caldara’s Gloria in C for eight-part choir, soloists and orchestra (composed September 1707) might have formed part of a Mass...

Reviewed by David Vickers in issue: 02/2024

Review of BARTÓK Village Scenes JANÁČEK Říkadla STRAVINSKY Les noces

BARTÓK Village Scenes JANÁČEK Říkadla STRAVINSKY Les noces

This is a scintillating collection. Les noces may be a work audiences either love or hate (is it a concert...

Reviewed by Guy Rickards in issue: 02/2024

Review of JS BACH Cantatas 56 & 82

JS BACH Cantatas 56 & 82

Two favourite Bach cantatas for bass voice sung by Christoph Prégardien, one of the most respected lyric tenors of his...

Reviewed by Edward Breen in issue: 02/2024

Review of JS BACH 'Bach. Vision 1'

JS BACH 'Bach. Vision 1'

Stuttgart’s distinguished Bach credentials in the post war years were largely built on the twin pillars of Karl Münchinger and...

Reviewed by Jonathan Freeman-Attwood in issue: 02/2024

Review of CPE BACH Magnificat. Auf, schicke dich. Ammonia fortunata

CPE BACH Magnificat. Auf, schicke dich. Ammonia fortunata

‘Far more than a mere bridge between the two artistic peaks of the 18th century’ is how I recently described...

Reviewed by David Threasher in issue: 02/2024

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