Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
From most pianists, this sort of grab-bag programme would tend to be a collection of personal favourites, perhaps played from...
Reviewed by Patrick Rucker in issue: 02/2024
Don’t be fooled by the funky title-lettering on the booklet. The programme of ‘La danse’ is hardly calculated for kicking...
Reviewed by Michelle Assay in issue: 02/2024
This pair of generously filled discs attests to the Welsh pianist Llŷr Williams’s passion for this repertoire and his capacity...
Reviewed by Stephen Cera in issue: 02/2024
This latest release from the pianist and activist Igor Levit is his personal response to the atrocities of 7 October....
Reviewed by Jeremy Nicholas in issue: 02/2024
The main challenge for pianists taking on Granados’s Goyescas is making both literal and musical sense out of the composer’s...
Reviewed by Jed Distler in issue: 02/2024
You have to hand it to Martin Jones. Now in his 84th year, he has amassed an extraordinary discography of...
Reviewed by Jeremy Nicholas in issue: 02/2024
Volume 8 of David Ponsford’s magisterial survey of 18th-century French organ music was recorded in May 2023 in Marmoutier Abbey...
Reviewed by Malcolm Riley in issue: 02/2024
As they join the ranks of éminences grises, many musicians turn retrospective, revisiting repertoire high points to make final refinements....
Reviewed by Peter J Rabinowitz in issue: 02/2024
The 34-year-old pianist Julian Jaeyoung Kim keeps a vice-like grip on the dotted rhythms in the first movement of Brahms’s...
Reviewed by Jed Distler in issue: 02/2024
The more I listen to the music of Amy Beach, the more I wonder why it is not more widely...
Reviewed by Jeremy Nicholas in issue: 02/2024
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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