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Review of Kay Kyung Eun Kim: Soundscape

Kay Kyung Eun Kim: Soundscape

The Korean pianist Kay Kyung Eun Kim, a champion of contemporary works and innovative keyboard techniques, offers pieces by three...

Reviewed by Stephen Cera in issue: 04/2024

Review of SIMON Tales - A Folklore Symphony

SIMON Tales - A Folklore Symphony

‘Tales is an exploration of African American folklore and Afrofuturist stories’, Carlos Simon writes in the booklet note for this...

Reviewed by Andrew Farach-Colton in issue: 04/2024

Review of REALE 'American Mosaic'

REALE 'American Mosaic'

Out of an opening cry and terse introduction, Kim Cook rises magnificently in Paul Reale’s Cello Concerto against a landscape...

Reviewed by Laurence Vittes in issue: 04/2024

Review of American Counterpoints

American Counterpoints

So many composers have been neglected in concert halls and opera houses due to prejudice that devoted musicians have decided...

Reviewed by Donald Rosenberg in issue: 04/2024

Review of KARCHIN 'Keyboards/Winds'

KARCHIN 'Keyboards/Winds'

>Like most earthlings during the coronavirus pandemic, Louis Karchin had an inordinate amount of time on his hands. He responded...

Reviewed by Donald Rosenberg in issue: 04/2024

Review of ROSSINI Elisabetta, regina d’Inghilterra (Fogliani)

ROSSINI Elisabetta, regina d’Inghilterra (Fogliani)

Elisabetta, regina d’Inghilterra was an important turning point, both in Rossini’s career and in the development of serious opera in...

Reviewed by Richard Osborne in issue: 03/2024

Review of MASCAGNI Cavalleria rusticana (Hengelbrock)

MASCAGNI Cavalleria rusticana (Hengelbrock)

Here’s a Cavalleria rusticana with a difference. Not only do Thomas Hengelbrock and his Balthasar Neumann forces offer historically informed...

Reviewed by Hugo Shirley in issue: 03/2024

Review of CIMAROSA L'Italiana in Londra (Hussain)

CIMAROSA L'Italiana in Londra (Hussain)

Premiered at Rome’s Teatro Valle in 1779, Cimarosa’s breezy intermezzo comico L’italiana in Londra made his European reputation. Playing on...

Reviewed by Richard Wigmore in issue: 03/2024

Review of CHARPENTIER Médée (Niquet)

CHARPENTIER Médée (Niquet)

This is only the third commercial sound recording of Médée (1693) – the first to come along in nearly 30...

Reviewed by David Vickers in issue: 03/2024

Review of BORGSTRØM Fiskeren (Boye Hansen)

BORGSTRØM Fiskeren (Boye Hansen)

I’m all for full-scale operas that clock in under 90 minutes. And that’s far from the only good thing about...

Reviewed by Andrew Mellor in issue: 03/2024


 

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