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Review of M HAYDN Die Ährenleserin

M HAYDN Die Ährenleserin

'Haydn has no talent for musical theatre’, wrote Leopold Mozart about his Salzburg colleague Michael Haydn. Wolfgang Brunner and the...

Reviewed by David Threasher in issue: 03/2024

Review of HANDEL Theodora (Cohen)

HANDEL Theodora (Cohen)

‘More prescient and pertinent with every performance’ is how Ruth Smith describes Theodora in a typically astute booklet note for...

Reviewed by Lindsay Kemp in issue: 03/2024

Review of A BONONCINI Cantate per Contralto con Violini

A BONONCINI Cantate per Contralto con Violini

This recording was made in the monastery of St Florian, near Linz in Austria, where Alois Mühlbacher was a choirboy....

Reviewed by Richard Lawrence in issue: 03/2024

Review of Déjà-rêvé: Dialogues Across Time (Klavierduo Neeb)

Déjà-rêvé: Dialogues Across Time (Klavierduo Neeb)

Ever since Bartók’s 1937 Sonata, the medium of two pianos and percussion has exerted a compelling fascination on contemporary composers,...

Reviewed by David Fanning in issue: 03/2024

Review of VILLA-LOBOS 'Do Brazil' (Wilhem Latchoumia)

VILLA-LOBOS 'Do Brazil' (Wilhem Latchoumia)

The La Dolce Volta label’s high-end production values have always befitted Wilhem Latchoumia’s intelligent musicianship and cultivated pianism. Collectors familiar...

Reviewed by Jed Distler in issue: 03/2024

Review of Diaries: Schumann (Tiffany Poon)

Diaries: Schumann (Tiffany Poon)

Hong Kong-born New York-based Tiffany Poon is one of the piano world’s most enterprising vloggers and YouTube denizens, as well...

Reviewed by Jed Distler in issue: 03/2024

Review of SCHUBERT Piano Works Vol 7 (Vladimir Feltsman)

SCHUBERT Piano Works Vol 7 (Vladimir Feltsman)

In Vladimir Feltsman’s burly hands, Schubert’s Impromptus leap out of the drawing room into the opera house. The characteristically swimmy...

Reviewed by Jed Distler in issue: 03/2024

Review of POULENC Piano Music (Chiara Cipelli)

POULENC Piano Music (Chiara Cipelli)

Poulenc always claimed that the truest measure of his piano-writing was to be found not in the solo works or...

Reviewed by Patrick Rucker in issue: 03/2024

Review of MUSSORGSKY Pictures SCHUMANN Kriesleriana (Robert Neumann)

MUSSORGSKY Pictures SCHUMANN Kriesleriana (Robert Neumann)

‘If you play the text as it is printed you cannot hope for the music to make much sense. The...

Reviewed by Peter J Rabinowitz in issue: 03/2024

Review of HAMELIN New Piano Works

HAMELIN New Piano Works

Oh. My. Word. This is, I think, an important recording, not merely because it captures some of the most astonishing...

Reviewed by Jeremy Nicholas in issue: 03/2024


 

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