Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This is Così fan tutte but not quite as we know it. Described as ‘Mozart’s original thoughts recreated and recorded...
Reviewed by Tim Ashley in issue: 02/2019
An immensely important issue, this is the first recording of the performing edition by British musicologist David Trippett of Sardanapalo,...
Reviewed by Tim Ashley in issue: 02/2019
If you wanted to place a final full-stop to the ‘silver age’ of Viennese operetta, you could do worse than...
Reviewed by Richard Bratby in issue: 02/2019
By all accounts the castrato Caffarelli outdid even his fellow-falsettist Senesino in boorish disregard for colleagues and audiences. Lateness and...
Reviewed by Richard Wigmore in issue: 02/2019
When reading the programme at a performance of Fidelio, or inspecting a CD or DVD booklet, have you ever wondered...
Reviewed by Richard Lawrence in issue: 02/2019
In some ways this is a double historical release – a performance from over 50 years ago and a preservation...
Reviewed by Mike Ashman in issue: 02/2019
Without matching the tight ensemble or aiming for the taut pacing of Teodor Currentzis at the Bolshoi, Marc Albrecht embeds...
Reviewed by Peter Quantrill in issue: 02/2019
This is one of those recordings where composer and performers seem uniquely matched. One senses a degree of commitment that...
Reviewed by Fabrice Fitch in issue: 01/2019
Florent Boffard’s credentials as an exponent of modern music are impeccable and well known, as are his recordings. It may...
Reviewed by Patrick Rucker in issue: 01/2019
Boris Lyatoshynsky (1895-1968) was a slightly older Ukrainian contemporary of Shostakovich, a pupil of Glière. His work was initially very...
Reviewed by Ivan Moody in issue: 01/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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