Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Tchaikovsky’s Piano Trio in B minor? No, not in A minor. Nor, indeed, that Tchaikovsky. Naxos has done well by...
Reviewed by Mark Pullinger in issue: 10/2018
I think it was George Bernard Shaw who first remarked that Stanford was at his best when he forgot to...
Reviewed by Richard Bratby in issue: 10/2018
The Norwegian Engegård Quartet have only recently started programming single-composer discs (they released Mozart’s ‘Prussian’ Quartets last year – LAWO...
Reviewed by Harriet Smith in issue: 10/2018
In honour of William of Ockham’s famous dictum that the simplest solution tends to be the correct one, the eighth...
Reviewed by Guy Rickards in issue: 10/2018
What makes the Doric the Doric? Is it their ability to reveal detail, though never at the cost of broader...
Reviewed by Harriet Smith in issue: 10/2018
An earlier disc devoted to Charlotte Bray (1/15) has proved one of the most notable in NMC’s Debut series and...
Reviewed by Richard Whitehouse in issue: 10/2018
These interpretations of the Brahms violin sonatas delve far more deeply into ‘historically informed performance practice’ than any period-instrument recording...
Reviewed by Andrew Farach-Colton in issue: 10/2018
It’s such a very long time since the French baroque cellist Bruno Cocset brought out his first excellent Boccherini album...
Reviewed by Charlotte Gardner in issue: 10/2018
Zhenni Li’s new Steinway release is a bolt from the blue. Li holds bachelor and master’s degrees from Juilliard, where...
Reviewed by Patrick Rucker in issue: 10/2018
Flautist Rebecca Jeffreys and pianist Alexander Timofeev may not always be ‘Friends in Common Time’ on their new disc, given...
Reviewed by Donald Rosenberg in issue: 10/2018
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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