Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Christian Svarfvar muses poetically over the opening solo of the Bruch Concerto. He’s hardly alone in disregarding the composer’s instruction...
Reviewed by Andrew Farach-Colton in issue: 01/19
Back in September 2010 I remarked how the Fifth and Sixth symphonies ‘really swing’ under Giovanni Antonini, and now his...
Reviewed by Peter Quantrill in issue: 01/2019
Reading Manfred Honeck’s extensive booklet note (nearly 10 single-spaced pages on the Eroica alone) before playing the CD left me...
Reviewed by Andrew Farach-Colton in issue: 12/2018
It was never going to be a complete surprise to find these four concertos to be an exquisitely joyous and...
Reviewed by Charlotte Gardner in issue: 01/2019
The tone of Concerto Copenhagen’s Brandenburgs is set right at the beginning of Concerto No 1, where the usual raucous...
Reviewed by Lindsay Kemp in issue: 12/2018
The cover photos suggest glamour; the first item in the programme is romantic with a capital R. But don’t be...
Reviewed by Richard Bratby in issue: 01/2019
No ‘difficult second album’ for Colin Currie’s new record label but instead a worthy successor to the label’s imposing inauguration...
Reviewed by Andrew Mellor in issue: 01/2019
When Bridge champions a composer, one needs to sit up and take notice: the series devoted to George Crumb, Fred...
Reviewed by Guy Rickards in issue: 01/2019
The arpeggione was a hybrid instrument, smooth-waisted, tuned and fretted like guitar but bowed like a viola da gamba. Invented...
Reviewed by David Threasher in issue: 01/2019
Composer, conductor and administrator, Peter Ruzicka is certainly among the most versatile of present-day musicians and this latest release updates...
Reviewed by Richard Whitehouse in issue: 01/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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