LYATOSHYNSKY Symphony No 3, ‘Peace Shall Defeat War’
View record and artist detailsRecord and Artist Details
Composer or Director: Boris (Mykolayovich) Lyatoshynsky
Genre:
Orchestral
Label: Chandos
Magazine Review Date: 01/2019
Media Format: Super Audio CD
Media Runtime: 63
Mastering:
DDD
Catalogue Number: CHSA5233
Tracks:
Composition | Artist Credit |
---|---|
Symphony No. 3 |
Boris (Mykolayovich) Lyatoshynsky, Composer
Boris (Mykolayovich) Lyatoshynsky, Composer Bournemouth Symphony Orchestra Kirill Karabits, Conductor |
Grazhyna |
Boris (Mykolayovich) Lyatoshynsky, Composer
Boris (Mykolayovich) Lyatoshynsky, Composer Bournemouth Symphony Orchestra Kirill Karabits, Conductor |
Author: Ivan Moody
The Third Symphony, written in 1951, bears a subtitle, Peace Shall Defeat War, and is dedicated to the 25th anniversary of the October Revolution. The music is in consequence frequently bellicose in character but Lyatoshynsky has a very personal lyrical vein which is quite different from that of his more famous contemporary: while one can make parallels with Shostakovich in the combative first movement, the glistening opening of the second is something quite different and original. Karabits and his Bournemouth players really bring out the detail of Lyatoshynsky’s imaginative orchestration, and what might seem in other hands a somewhat sprawling work is here given a carefully shaped rendition of great intensity; the final minutes, in which the Ukrainian folk song first heard in the opening movement is brought resoundingly back amid brass and bells, represent a genuinely heartfelt victory. Andrew Burn, in his excellent booklet notes, explains that this is the original version of the finale, the work having for many years been performed with a revised version more congenial to the Soviet authorities.
Grazhyna is a tone poem, written four years after the Third Symphony for the centenary of the death of Adam Mickiewicz, and it takes the writer’s narrative poem ‘Grazhyna’ as its basis. The music is much more romantic in tone than the symphony but that is to be expected given the nature of Mickiewicz’s tale of doomed love – it is very pictorial music indeed. The players of the Bournemouth Symphony Orchestra react to it with vigour and dedication, and their performances benefit from outstanding engineering. More Lyatoshynsky, please!
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