Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
‘Bombay was an English city during my youth’, Zubin Mehta has noted. His father founded the Bombay Symphony so it’s...
Reviewed by Mark Pullinger in issue: 01/2019
In the wake of the wars of the Portuguese Restoration and the Spanish Succession, the courts of Lisbon and Madrid...
Reviewed by Patrick Rucker in issue: 01/2019
During January 1905 Vaughan Williams paid a visit to King’s Lynn and the surrounding area in order to collect folk...
Reviewed by Andrew Achenbach in issue: 01/2019
What do you do if you’re a violinist wanting to pay homage to Richard Strauss? The composer wrote some fabulous...
Reviewed by Hugo Shirley in issue: 12/2018
I always think that the opening bars of this war-torn essay suggest the flipside, the oppressively dark side, of the...
Reviewed by Edward Seckerson in issue: 01/2019
This selection of orchestral music from Schreker’s early to middle period nicely complements the recording of middle to late works...
Reviewed by Christian Hoskins in issue: 01/2019
Nimbus’s coverage of Philip...
Reviewed by Richard Whitehouse in issue: 01/2019
Thierry Fischer leads a superb, thoroughly enjoyable reading of Saint-Saëns’s Organ Symphony. While he doesn’t generate quite as much heat...
Reviewed by Andrew Farach-Colton in issue: 01/2019
I’m surprised this isn’t a regular pairing on disc: two heavily lacquered Russian tales by teacher and pupil, both featuring...
Reviewed by Mark Pullinger in issue: 12/2018
Ensemble Appassionato was convened by Mathieu Herzog, a founder member of the Ébène Quartet, and draws its members from a...
Reviewed by David Threasher in issue: 01/2019
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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