Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Antheil composed his first three violin sonatas in 1923 24, while he was living and working in Europe. They are...
Reviewed by Andrew Farach-Colton in issue: 06/2019
Extravagantly premiered at the Queen’s Theatre, Haymarket, in 1711, Rinaldo made Handel’s reputation in London and received more stagings, at...
Reviewed by Richard Wigmore in issue: 06/2019
It’s been a long time since a singer has generated as much buzz as the Norwegian soprano Lise Davidsen, Gramophone’s...
Reviewed by Hugo Shirley in issue: 06/2019
On his tireless voyage of ceremonial and liturgical reconstruction, Paul McCreesh’s 20th-century coronation anthology is arguably his most ambitious and...
Reviewed by Jonathan Freeman-Attwood in issue: 06/2019
A work that tends to bring out the best in the singers who have tackled it, Poème de l’amour et...
Reviewed by Tim Ashley in issue: 06/2019
Here’s an analogy for András Schiff’s second disc in his survey of Schubert’s late works on his Brodmann fortepiano. Imagine...
Reviewed by Michelle Assay in issue: 06/2019
Ah, this is more like it! Bach played with no hang-ups, using the full resources of a magnificent organ (the...
Reviewed by Marc Rochester in issue: 06/2019
With performances by Steve Reich and Musicians – Reich’s own group – becoming a far less regular occurrence these days,...
Reviewed by Pwyll ap Siôn in issue: 06/2019
There’s little in Beethoven’s output that’s undervalued but I have the sense that the cello sonatas don’t quite get the...
Reviewed by Andrew Farach-Colton in issue: 06/2019
Last year the American countertenor Anthony Roth Costanzo gave us a recital pairing music by Philip Glass and Handel (Decca)....
Reviewed by Alexandra Coghlan in issue: 05/2019
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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